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The 2021 Janet & Walter Sondheim Artscape Prize Finalists have been selected!
Congratulations to the five finalists of this year’s competition: Hoesy Corona, Tsedaye Makonnen, Jonathan Monaghan, Lavar Munroe, and Hae Won Sohn.
The prestigious competition awards a $25,000 fellowship to assist in furthering the career of a visual artist or visual artist collaborators living and working in the Greater Baltimore region. This year, the finalists’ work will be exhibited in person at the Walters Art Museum, on view Thursday, May 27, through Sunday, July 18, 2021. The winner of the 2021 Sondheim Artscape Prize will be announced during a special award ceremony on Saturday, July 10, 2021.
Additionally, works by semifinalists not moving to the finals will be selected by BOPA curator Lou Joseph for a separate exhibition during the summer of 2021. The 2021 jurors are Naz Cuguoğlu, Michelle Grabner, and Meleko Mokgosi.
Janet & Walter Sondheim Artscape Prize Finalists
Hoesy Corona (Baltimore, MD)
Tsedaye Makonnen (Washington, DC)
Jonathan Monaghan (Washington, DC)
Lavar Munroe (Baltimore, MD)
Hae Won Sohn (Baltimore, MD)
Hoesy Corona (Baltimore, MD) is an emerging and uncategorized queer Mexican artist living and working in the United States. He makes work across a variety of media spanning installation, performance, and video. He is a recent Halcyon Arts Lab Fellow 2017-2018 in Washington, DC and a Tulsa Artist Fellow 2019 & 2020 in Tulsa, OK. He creates otherworldly narratives centering marginalized individuals in society by exploring a process based practice that investigates what it means to be a queer Latinx immigrant in a place where there are few. Hoesy has exhibited widely in galleries, museums, and public spaces in the United States and abroad. His colorful sculptural works fitted to the human body have been presented at The Hirshhorn Museum and Sculpture Garden, The Baltimore Museum of Art, Transformer DC, and The Reach at The Kennedy Center. His research has been supported by various regional and national grants, including The Maryland State Arts Council Individual Artist Award, The Ruby’s Artist Grant, The MAP Fund Grant, and The Andy Warhol Foundation Grit Fund Grant among others. In recent years Hoesy has been in residence at Ox-Box School of Art, Washington College Kohl Gallery Residency, and The Merriweather District Artist in Residence. In 2020 he was the recipient of The Municipal Art Society of Baltimore Artist Travel Prize. www.hoesycorona.com.
Tsedaye Makonnen (Washington, DC) is a multidisciplinary artist whose studio, curatorial and research-based practice threads together her identity as a daughter of Ethiopian immigrants, birthworker and a mother. Makonnen primarily focuses on migration and intersectional feminism; using light, shadow, reflection, embodiment, movement and collaboration as materials. Makonnen is the recipient of a Smithsonian Artist Research Fellowship. She has performed at the Venice Biennale, Art Basel Miami, Art on the Vine (Martha's Vineyard), Chale Wote Street Art Festival (Ghana), El Museo del Barrio, Fendika Cultural Center (Ethiopia), Festival International d'Art Performance (Martinique), Queens Museum, the Smithsonian's, and more. In 2018 Makonnen studied sculpture with mentor El Anatsui at his studio in Nigeria. Her light monuments have been exhibited at the August Wilson Cultural Center, National Gallery of Art and UNTITLED Art Fair and is currently being acquired by the Smithsonian National Museum of African Art. She has been featured in the NYTimes, Vogue, BOMB, Hyperallergic, Artnet, Artsy, Forbes, and more. Her recent exhibitions are 1:54 Contemporary African Art Fair in London, Park Avenue Armory, National Museum of Women in the Arts, The Momentary and Art at a Time Likes This. In 2020, Makonnen curated a virtual group exhibition with Washington Project for the Arts titled Black Women as/and the Living Archive based on Alisha Wormsley’s film Children of Nan: Mothership and is currently working on publishing an exhibition book in 2021. This upcoming March, Makonnen will be showing with her gallery at Art Dubai. For the upcoming Fall semester she will be the Clark Art Institute’s inaugural Futures Fellow in Williamstown, Massachusetts. She is currently in four exhibitions across the U.S. and Europe and is represented by Addis Fine Art in London & Addis Ababa. She lives in DC with her 10 year old son. www.tsedaye.com.
Jonathan Monaghan (Washington, DC) is an artist working across a range of media, including prints, sculpture and computer animated video, to produce otherworldly objects and narratives. Drawing on wide-ranging sources, such as historical artworks and science fiction, his fantastical pieces examine anxieties associated with digital technology and consumerism. Past exhibitions include The Sundance Film Festival, The Hermitage Museum in Saint Petersburg, and The Palais de Tokyo in Paris. His work has been featured in several media outlets including The New York Times, Vogue, and The Washington Post. www.jonathanmonaghan.com.
Lavar Munroe (Baltimore, MD) (b. 1982, Nassau, Bahamas) earned his BFA from Savannah College of Art and Design in 2007 and his MFA from Washington University in 2013. In 2014, he was awarded a postdoctoral research fellowship at the University of North Carolina at Chapel Hill. Munroe was included in Prospect.4: The Lotus in Spite of The Swamp, the New Orleans triennial curated by Trevor Schoonmaker, and the 12th Dakar Biennale, curated by Simon Njami, in Senegal. In 2015, Munroe's work was featured in All the World's Futures, curated by Okwui Enwezor as part of the 56th Venice Biennale. Recent group shows include those at the Nasher Museum of Art in Durham; Perez Art Museum, Miami; National Gallery of Bahamas, Nassau; MAXXI Museum of Art, Rome; Museum of the African Diaspora, San Francisco; Virginia Museum of Modern Art, Virginia Beach; and The Drawing Center, New York. Munroe was awarded residencies at the Skowhegan School of Painting and Sculpture, MacDowell Colony, the Headlands Center for the Arts, Joan Mitchell Center, Thread: Artist Residency & Cultural Center, a project of the Josef and Anni Albers Foundation and was an inaugural Artists in Residence at the Norton Museum of Art. He is a recipient of the Joan Mitchell Foundation Painters and Sculptors Grant. Lavar Munroe lives and works between Baltimore, Maryland and Nassau, Bahamas. www.lavar-munroe.com.
Hae Won Sohn (Baltimore, MD) is a visual artist and craftswoman from Seoul, South Korea. In her practice, the artist utilizes studio-artifacts such as broken molds or material remnants; further incorporating the action of de-/reconstruction in her (re)development of form and object-history. While her process metaphorically references the archeological procedures and geographical phenomena, her studio-practice incorporates conscious improvisation and the autonomy of material as a structural and conceptual foundation; further proposing a system built upon failure as a parallel model to success. Being selected as a finalist for the inaugural Galerie Emerging Artist Award (2019) by Galerie Magazine, Sohn’s most recent body of work was exhibited at Emmanuel Barbault Gallery (New York, NY) as part of Monologue aside (2020), her gallery solo. Her work also has been exhibited nationally and internationally at venues such as Emmanuel Barbault Gallery, New York, NY; Gray Contemporary, Houston, TX; MONO Practice, Baltimore, MD; Next Step Studio & Gallery, Ferndale, MI; Zahoorul Akhlaq Gallery of National College of Arts, Lahore, Pakistan; and Kyung-In Museum of Fine Art, Seoul, South Korea. Originally from Seoul, South Korea, Sohn earned her Bachelor of Fine Arts degree at the College of Design at Kookmin University located in Seoul, South Korea, and her Master of Fine Arts degree at the Cranbrook Academy of Art located in Bloomfield Hills, MI. https://haewonsohn.com.
The Baltimore Office of Promotion & The Arts (BOPA) is proud to announce that LaToya M. Hobbs is the winner of the 2020 Janet & Walter Sondheim Artscape Prize. The coveted $25,000 prize was presented at a virtual award ceremony on Saturday, July 25, streamed on BOPA’s YouTube and Facebook pages.
“I am so excited, so happy and just filled with so much gratitude,” said Hobbs during the award ceremony. “It is an honor to continue in the tradition of the Sondheim Award and an absolute pleasure to share my work with you.”
LaToya M. Hobbs (Baltimore, MD) is an artist, wife, and mother of two currently living and working in Baltimore, MD. She received her BA in Painting from the University of Arkansas at Little Rock and MFA in Printmaking from Purdue University. Hobbs’ work deals with figurative imagery that addresses the ideas of beauty, cultural identity, and womanhood as they relate to women of the African Diaspora. She creates a fluid and symbiotic relationship between her printmaking and painting practice producing works that are marked by texture, color and bold patterns. Her exhibition record includes several national and international exhibits. Hobbs’ work has also been featured in Transition: An International Review, a publication of the W.E.B. Dubois Institute for African and African American Research at Harvard University. Other accomplishments include a 2019 Individual Artist Award in the Works on Paper category from the Maryland State Arts Council, a 2019 Artist Travel Grant awarded by the Municipal Art Society of Baltimore and she is the recipient of a 2020 Artist in Residence award at the Joan Mitchell Center in New Orleans, LA. Additionally, Hobbs devotes her time to teaching and inspiring young artists as a Professor at the Maryland Institute College of Art. Hobbs’ winning Sondheim Artscape Prize gallery is available for viewing here.
The Baltimore Office of Promotion & The Arts (BOPA) is proud to announce that Akea Brionne Brown is the winner of the 2019 Janet & Walter Sondheim Artscape Prize. The coveted $25,000 prize was presented at The Walters Art Museum on Saturday, July 13, 2019. The six other finalists received a $2,500 honorarium established by M&T Bank in partnership with BOPA.
Akea Brionne Brown (Baltimore, MD) is an emerging photographer that investigates the implications of historical racial and social structures in relation to the development of contemporary black life and identity within America. With a particular focus on the ways in which history influences the contemporary cultural milieu of the American black middle class, Brown explores today's African-American community as it relates to historical forms of oppression, discrimination and segregation in American history. She received a Visual Task Force scholarship from the National Association of Black Journalists. Her work is featured in the Smithsonian’s Ralph Rinzler Folklife Archives and Collections, and was recently acquired by Los Angeles Center for Digital Art. She was the 2018 winner of Duke University’s Archive of Documentary Arts Collection’s Documentarian of Color award. Her series, Black Picket Fences, was acquired for their permanent collection at the David M. Rubenstein Rare Book & Manuscript Library. She was also chosen to attend the 7th annual New York Portfolio Review in 2018.
The Baltimore Office of Promotion & The Arts (BOPA) is proud to announce that Erick Antonio Benitez is the winner of the 2018 Janet & Walter Sondheim Artscape Prize. The coveted $25,000 prize was presented at The Baltimore Museum of Art on Saturday, July 14, 2018. The five other finalists—Nakeya Brown, Sutton Demlong, Nate Larson, Eunice Park, and Stephen Towns—received a $2,500 honorarium established by M&T Bank in partnership with BOPA. Works of art by the winner and finalists were on view at the BMA through Sunday, August 5, 2018.
Esta Tierra Es Tu Tierra (This Land Is Your Land) is an immersive installation focusing on the U.S.-Mexico border and its effects on human lives. In winter 2015 and summer 2016, Erick Antonio Benitez (American, b. 1988) traveled the entirety of the border that stretches from the Gulf of Mexico to the Pacific Ocean, visiting numerous sites including migrant shelters (in both the U.S. and Mexico), a Tent City jail recently closed for its horrific human rights violations, and various border landscapes. His poetic and sonic video documentary captures onsite interviews with border agents, migrants, and members of the volunteer Minuteman Project, as well as interactions at Friendship Park, where residents of the U.S. and Mexico are permitted to meet face-to-face across a 100-foot, semitransparent span of fencing. Benitez also made audio recordings and photographs and collected sand, dirt, rocks, seashells, yucca flowers, and discarded personal belongings. He preserves and enshrines these objects within the installation as ritual offerings to those who have lost their lives on their journey to the United States.
Erick Antonio Benitez (Baltimore, MD) is a multidisciplinary artist, musician, organizer and curator. Benitez's work primarily consists of installation, video, performance, sound, and painting to explore concepts of identity, culture, mysticism, and the natural world. He received his Bachelor of Fine Arts degree in painting with a video concentration from the Maryland Institute College of Art (MICA) in 2014. His work has been exhibited in several gallery exhibitions and publicly in Washington, DC; Baltimore, MD; Brooklyn, NY; Denver, CO; Barcelona, Spain and Timisoara, Romania. His work has also been featured in the Washington Post, Baltimore City Paper, BmoreArt, What Weekly, BmoreArt, a Journal of Art + Ideas, Let’s Talk Live (WJLA), and Hyrsteria Zine Vol. 2. Benitez is a recent recipient of The Contemporary: Grit Fund 2 and the Ruby Artist Project Grant and has been nominated as a finalist for the 2018 Baker Artist Award.
Mayor Catherine E. Pugh and the Baltimore Office of Promotion & The Arts (BOPA) are proud to announce that Cindy Cheng is the winner of the 2017 Janet & Walter Sondheim Artscape Prize. The coveted $25,000 prize was presented at the Walters Award Museum on Saturday, July 15, 2017. The six remaining finalists—Mequitta Ahuja, Mary Anne Arntzen, Sara Dittrich, Benjamin Kelley, Kyle Tata, and Amy Yee—each received a $2,500 honorarium supported by M&T Bank Charitable Foundation in partnership with BOPA. Works of art by the winner and finalists were on view at the Walters through Sunday, August 13, 2017.
Cindy Cheng (Baltimore, MD) creates complex constructions and installations that investigate the relationship between drawings and objects and are incubators for history, memory and reflections on the physical and abstract self. Her work has been featured in group and solo exhibitions at St. Charles Projects (Baltimore, MD, 2016), ‘sindikit (in collaboration with Cheeny Celebrado-Royer) (Baltimore, MD, 2016), Present Junction (Toronto, Canada, 2015), Thomas H. and Mary K. Williams Gallery at Mount Saint Mary’s University (Emmitsburg, MD, 2016), Flashpoint (Washington, DC, 2014), E-merge Art Fair (Washington, DC, 2013) and has an upcoming solo show at Ditch Projects (Portland, OR, 2017). Cheng received her BA from Mount Holyoke College. Cheng received a Post-Baccalaureate Certificate from the Maryland Institute College of Art (MICA) in 2008 and then earned her Masters of Fine Art from MICA’s Mount Royal School of Art in 2011. She is currently teaching at MICA in the Drawing Department, and has been a resident at the Vermont Studio Center (Johnson, VT) and at the Anderson Ranch Artist Residency (Snowmass Village, CO). In 2016, Cheng and was a finalist for the Trawick Prize and in 2013 a semifinalist for the Janet & Walter Sondheim Artscape Prize.
Mayor Stephanie Rawlings-Blake and the Baltimore Office of Promotion & The Arts (BOPA) are proud to announce that FORCE: Upsetting Rape Culture is the winner of the 2016 Janet & Walter Sondheim Artscape Prize. The coveted $25,000 prize was presented at this evening’s awards ceremony at The Baltimore Museum of Art. The six other finalists—Theo Anthony, Stephanie Barber, Darcie Book, Larry Cook, Eric Kruszewski, Christos Palios—received a $2,500 honorarium established this year by M&T Bank in partnership with BOPA. Works of art by the winner and finalists are on view at the BMA through Sunday, July 31, 2016.
FORCE: Upsetting Rape Culture describes itself as a “creative activist effort to upset the culture of rape and promote a culture of consent.” The organization was founded in 2010 by Hannah Brancato and Rebecca Nagle, community organizers and artists living in Baltimore. The group deploys its messages against sexual violence through public art projects and events, as well as through the Internet and media campaigns.
On view is a small portion of FORCE’s The Monument Quilt, a growing compilation of the stories of survivors of sexual violence presented on 8-foot by 8-foot squares of red fabric. In 2017, FORCE seeks to bring 6,000 of these quilt squares (produced in workshops across the country) to the National Mall in Washington, D.C., where they will spell out the equally cautionary and consoling phrase “Not Alone.” Accompanying the quilt squares at the BMA is video footage documenting earlier presentations of the quilt. FORCE will also conduct a public awareness program as part of its Sondheim exhibition contribution.
The Sondheim Artscape Prize: 2016 Finalists exhibition is held in conjunction with Artscape and is produced by the Baltimore Office of Promotion & The Arts. It is one of the summer’s most highly anticipated exhibitions. It is designed to assist visual artists in the Greater Baltimore region in furthering their careers by allowing them to pursue tracks in their work that may not otherwise be possible. The artists were selected by an independent panel of jurors, who reviewed the exhibition and interviewed each artist to decide the winner. This year’s jurors are: Tim Griffin, Executive Director and Chief Curator at The Kitchen; Rujeko Hockley, Assistant Curator of Contemporary Art at the Brooklyn Museum; and Mia Locks, Co-Curator of The Whitney Museum of American Art’s 2017 Whitney Biennial.
For more information on the Sondheim Artscape Prize, visit artscape.org.