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Graham, of the Reginald F. Lewis Museum in Baltimore, was selected after a national search process

Baltimore’s arts council named a new permanent CEO Tuesday, bookending a months long search for a new leader to take the reins of the embattled agency after a tumultuous year.

Rachel D. Graham, currently the director of external relations for the Reginald F. Lewis Museum of Maryland African American History & Culture, will lead the Baltimore Office of Promotion & The Arts, or BOPA, after a unanimous vote by the nonprofit’s board of directors. She will succeed Donna Drew Sawyer, who resigned from the position last January. Film producer and public relations professional Todd Yuhanick had been serving as interim director since June.

Sawyer stepped down after a public spat with Mayor Brandon Scott, who called on her to leave the agency or else risk its funding. The organization contracts with city government to stage several high-profile events, including Artscape, the Baltimore Book Festival, Light City Baltimore and the annual Martin Luther King Jr. Day Parade. It also maintains some city facilities and serves as a resource for local artists.

In an interview Tuesday, Graham said she hopes to refocus the organization’s mission to prop up the arts community.

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Every so often we’re confronted with the stark realization of all that the COVID pandemic deprived us of — the experiences we were denied, the friendships that were deferred, the opportunities to connect with others in meaningful ways to share mutual interests and passions. The inability to revel in the enjoyment of our Baltimore’s rich artistic and cultural assets was a particular burden for our community, and those local creatives, artists and cultural institutions that make our lives so much better, so much fuller. With the return of Artscape this year, we again were able to come together, reconnect and celebrate all that we missed, all that makes Baltimore the city where artistic expression thrives.

The Baltimore Office of Promotion and the Arts (BOPA) has named Todd Yuhanick, a film producer and former president of a local public relations company, to serve as interim CEO while its board searches for a permanent leader.

Yuhanick succeeds former CEO Donna Drew Sawyer, who resigned in January after Mayor Brandon Scott said he lost confidence in her leadership of the quasi public agency, which receives city funds to produce Artscape and other citywide festivals. BOPA board chair Brian Lyles has been overseeing the agency since mid-January, without pay.

“I am honored and excited to take on the role of Interim CEO” for BOPA, Yuhanick said in a statement. “Working alongside our incredible team and dedicated board, and with the support of City leaders, we will support and empower local creatives, collaborate closely with cultural institutions, and ensure that artistic and cultural programming thrives and reaches the widest possible audience in every part of our community.”

Interim CEO OF BOPA, TODD Yuhanick

See his work at the Walters Art Museum in the Sondheim Finalists’ Exhibition through September 18

The Baltimore Office of Promotion & The Arts (BOPA) proudly announces the winner of the 17th annual Janet & Walter Sondheim Art Prize. This year’s prize is sponsored in part by M&T Bank. In addition to their contribution to the $30,000 prize, M&T is also generously funding the two residencies, the three M&T $2,500 Finalist Awards, and the M&T $500 Semifinalist Honorarium for each of the 10 remaining semifinalists. We also want to acknowledge the invaluable support of the Maryland State Arts Council. The total Sondheim prize package this year is $55,000 in fellowships and awards to individual artists in the Baltimore region.

Please join us in congratulating Baltimore-based multimedia artist James Williams II as the recipient of this year’s $30,000 prize. Williams is a curator and interdisciplinary artist whose work encompasses painting, sculpture, and photography. He focuses on topics of social and cultural identity in the United States tied together by self-portraiture and narration. His most recent project was curating the show, Future Planets, at Longwood Center for the Visual Arts — an exhibition featuring the creativity of young artists ranging from ages 3–15 years old alongside their creative and established parents.

Williams is the recipient of the MFA Joan Mitchell Foundation award, the Bromo Seltzer Fellowship, and has served as artist-in-residence at School 33 in Baltimore, Maryland. Williams, originally from Upstate New York, received his master’s degree from the Mount Royal School of Art program at Maryland Institute College Art (MICA). He currently teaches at MICA.

The finalists have produced such amazing and thought-provoking work.

Jocquelyn Downs, Arts Council Director

The recipient of the six-week residency at Civitella Ranieri, an American artists’ community located at a 15thcentury castle in the Umbria region of Italy, is fiber artist Megan Koeppel. Koppel earned her BFA from MICA in 2018, where she studied fine art and curatorial practices. Her naturally dyed soft sculptures have been exhibited at galleries, museums, and art fairs in the DMV area and her home state of Wisconsin. She currently works as the Exhibition Programming Coordinator at VisArts in Rockville, Maryland.

Finally, Maren Henson has been awarded the six-month residency at the Bromo Seltzer Arts Tower. Henson uses videos, drawings, and sound installations to reexamine the role of conspiracy and how it has shaped American culture. Her work is a fascinating discussion of how cultural narratives are manipulated and controlled. Henson received her Master of Fine Art degree in the Mount Royal School of Art at MICA in 2017. She has exhibited her work in New York, Boston, Los Angeles, Maryland, Texas, and Puerto Rico.

These three finalists also had the opportunity to collaborate with the world-class curatorial staff at the Walters Art Museum to produce the Sondheim Finalists’ Exhibition, which is on view at the Walters through September 18, 2022. At this evening’s opening reception, Arts Council Director Jocquelyn Downs remarked, “I am so excited that we’re able to meet in person this year to celebrate some of this region’s talented visual artists. The finalists have produced such amazing and thought-provoking work. I expect to see great things from all of them for years to come.”

The purpose of the Sondheim Art Prize, and the finalists’ exhibition, is to assist in furthering the careers of visual artists or visual artist collaborators living and working in the greater Baltimore region. The prize is named in honor of Janet & Walter Sondheim, both of whom were instrumental in furthering arts & culture in Baltimore City. Janet Sondheim danced with the pioneering Denishawn Dancers, a legendary dance troupe founded by Ruth St. Denis and Ted Shawn. Walter Sondheim, Jr. was one of Baltimore’s most important civic leaders for over 50 years. He was deeply involved in the development of Charles Center and the Inner Harbor and continued to be civically active until his death in 2007, serving as the senior advisor to the Greater Baltimore Committee.

The 17th annual Janet & Walter Sondheim Art Prize is produced by The Baltimore Office of Promotion & The Arts in partnership with the Walters Art Museum. Learn more about the Sondheim Art Prize by visiting https://promotionandarts.org/arts-council/janet-walter-sondheim-art-prize and following BOPA on Facebook, Twitter, and Instagram: @promoandarts.

About The Baltimore Office of Promotion & The Arts (BOPA)

The Baltimore Office of Promotion & The Arts (BOPA) is a 501(c)(3) nonprofit organization, which serves as Baltimore City’s arts council, events center, and film office. By providing funding and support to artists, arts programs, and organizations across the city, and by producing large-scale events such as Artscape, Baltimore Book Festival, and Light City, BOPA’s goal is to make Baltimore a more vibrant and creative city.

About the Walters Art Museum

The Walters Art Museum is a cultural hub in the heart of Baltimore, located in the city’s Mount Vernon neighborhood. The museum’s collection spans more than seven millennia, from 5000 BCE to the 21st century, and encompasses 36,000 objects from around the world. Walking through the museum’s historic buildings, visitors encounter a stunning panorama of thousands of years of art, from romantic 19th-century images of French gardens to mesmerizing Ethiopian icons, richly illuminated Qur’ans and Gospel books, ancient roman sarcophagi, and serene images of the Buddha. Since its founding, the Walters’ mission has been to bring art and people together to create a place where people of every background can be touched by art. As part of this commitment, admission to the museum and special exhibitions is always free.